A simple-minded gardener named Chance has spent all his life in the Washington D.C. house of an old man. When the man dies, Chance is put out on the street with no knowledge of the world except what he has learned from television. After a run in with a limousine, he ends up a guest of a woman (Eve) and her husband Ben, an influential but sickly businessman. Now called Chauncey Gardner, Chance becomes friend and confidante to Ben, and an unlikely political insider.

When the young woman Tristana's mother dies, she is entrusted to the guardianship of the well-respected though old Don Lope. Don Lope is well-liked and well-known because of his honorable nature, despite his socialistic views about business and religion. But Don Lope's one weakness is women, and he falls for the innocent girl in his charge, seduces her, makes her his lover, though all the while explaining to her that she is as free as he. But when she acts on this freedom, Don Lope must deal with the consequences of his world-view.

The film version of the crazy-revue by Stig Bergendorff-Gösta Bernhard. A movie madness hitting the knot on each other, with all types of music, beautiful girls, ugly guys. Casino-the gang consists of Gösta Bernhard, Carl-Gustaf Lindstedt, Gunnar Knas Lindkvist, Gus Dahlström, Gösta Krantz, Siv Erick, Anna Sundqqvist and Casino Girls Recorded during a performance at the Intimate Theatre, Stockholm, 4 April 1974.

In this inspired, genre-twisting new film, Oscar®-nominated writer/director Sarah Polley discovers that the truth depends on who's telling it. Polley is both filmmaker and detective as she investigates the secrets kept by a family of storytellers. She playfully interviews and interrogates a cast of characters of varying reliability, eliciting refreshingly candid, yet mostly contradictory, answers to the same questions. As each relates their version of the family mythology, present-day recollections shift into nostalgia-tinged glimpses of their mother, who departed too soon, leaving a trail of unanswered questions. Polley unravels the paradoxes to reveal the essence of family: always complicated, warmly messy and fiercely loving. Stories We Tell explores the elusive nature of truth and memory, but at its core is a deeply personal film about how our narratives shape and define us as individuals and families, all interconnecting to paint a profound, funny and poignant picture of the larger human story.

A bus load of American students, all jocks, cheerleaders and nerds, are on a culture trip in Europe when they stumble upon a mysterious Hamburger stand in the deep European woods, selling 100% American Burgers. A visit to the Burger Factory behind the stand, renders them trapped in this unknown territory, and they are about to realize that European notion of American Hamburgers is terrifyingly different from what they're used to... The road trip descends into a battle for survival as Americans are treated as cows. Who's going to end up in the slaughterhouse? Will the nerds ever get to score with the cheerleaders? Cliques are formed... Strategies are made... And in the midst of it all they learn a thing or two about friendship, survival, consumerism, horny teenage urges and, perhaps most importantly, to never visit a fast-food restaurant ever again. And the nerds somehow end up having the... Best. Summer. Ever.

Eccentric millionaire Fredrick Loren and his 4th wife, Annabelle, have invited 5 people to the house on Haunted Hill for a "haunted House" party. Whoever will stay in the house for one night will earn ten thousand dollars each. As the night progresses, all the guests are trapped inside the house with ghosts, murderers, and other terrors.

Remake of the 1958 horror sci-fi about a deadly blob from another planet which consumes everyone in its path. Teenagers try in vain to warn the townsfolk, who refuse to take them seriously.

When a high-ranking government official's daughter's boyfriend is kidnapped, it's up to Mark Robinson and Phil Davids to find the shadowy organization responsible and bring them to justice.

In 1978 in East Germany two families, the Strelzyks and the Wetzels,make plans to escape the Communist East and flee to the West. Peter Strelzyk comes up with a daring idea to construct a homemade air balloon big enough to carry the two families across the East-West militarized border. The border between East and West Germany is heavily militarized, complete with watch towers, guard dogs, barbed-wire, alarms, sensors, search lights and patrols. Rumors have it that some areas of the militarized border are mined. The only chance of crossing the border is by air. The Strelzyks and the Wetzels commence their risky venture by purchasing lots of taffeta fabric and sewing it together with a sewing machine in the attic. Peter Strelzyk builds an experimental homemade hot air balloon burner. In 1979 when the balloon is ready Peter and his son test it but the Wetzel family becomes hesitant. The Strelzyks decide to go alone but bad weather causes the balloon to crash inside the Communist zone. The Strelzyks leave the crash area but the incriminating evidence litters the ground. They wonder if they will be able to evade the ensuing police investigation and whether they will be able to build another balloon for their next attempt. They also are determined to persuade the Wetzel family to maybe join them in their second try. That is,if the East German Communist secret police, the Stasi, won't get to them first.

A political satire set in Turaqistan, a country occupied by an American private corporation run by a former US Vice President. In an effort to monopolize the opportunities the war-torn nation offers, the corporation's CEO hires a troubled hit man, to kill a Middle East oil minister. Now, struggling with his own growing demons, the assassin must pose as the corporation's Trade Show Producer in order to pull off this latest hit, while maintaining his cover by organizing the high-profile wedding of Yonica Babyyeah, an outrageous Middle Eastern pop star, and keeping a sexy left wing reporter in check.

A feature length documentary, that aims to educate and entertain audiences about how video games are made, marketed, and consumed by looking back at gaming history and culture through the eyes of game developers, publishers, and consumers.

Mark Fisher disappeared from his home in a brilliant flash of blue light almost two years ago. His friend Seth Hampton was the last to see him alive. Now a string of grisly, violent murders leads Seth to believe that Mark is back, and something evil is inside of him.

The siblings Linus, 19-years-old, who are taking driving licence and Vanja, 17-years-old, who's still in school. Their mom Eva works night shift at a hotel. We get to follow them during one month. Linus and Vanja begin to realize that they are living in a universe of their own. And there is neither room for the mom or boy- and girlfriends. At first it is only the longing love in unspoken thoughts. But when thought gets into words they realize that they are each others perfect half. They are drawn closer to each other and finally can't resist the taboo temptation in each others bodies. At first they deny, lie and try to resist. It's about shame and guilt and forbidden feelings which leads to a point where everything is at stake.

Sweden in 1782. A young nobleman, named Jacob (Per Oscarsson) returns from France to his home and cherished sister Charlotte (Bibi Andersson) who is engaged to Baron Alsameden (Jarl Kulle). The siblings close relationship becomes incestuous and with fear that the disclosure of Charlotte's pregnancy will make society view them as libertines, the lovers ultimately choose to part, Jacob decides to leave the country and Charlotte if left to marry the Baron.

Reality and illusion collide in this thriller about a megalomaniacal movie director who murders a young would-be actress, then sets about making a feature about the deed, casting the dead woman's clueless husband as the patsy, and finding a dead ringer to play the part of the dead actress.

Reine is supposed to go to a summer camp called Children's Island but decides to remain in Stockholm over the summer while his mother is working at a hospital. She thinks he is at the camp, and he tells her he is. We then follow him around Stockholm that summer and see what he encounters on the path of life.

After losing his job, a journalist reluctantly agrees to help his oddball friend with his bid to earn a seat on the Seattle City Council.

Theater director Caden Cotard is mounting a new play. Fresh off of a successful production of Death of a Salesman, he has traded in the suburban blue-hairs and regional theater of Schenectady for the cultured audiences and bright footlights of Broadway. Armed with a MacArthur grant and determined to create a piece of brutal realism and honesty, something into which he can put his whole self, he gathers an ensemble cast into a warehouse in Manhattan's theater district. He directs them in a celebration of the mundane, instructing each to live out their constructed lives in a small mock-up of the city outside. As the city inside the warehouse grows, Caden's own life veers wildly off the tracks. The shadow of his ex-wife Adele, a celebrated painter who left him years ago for Germany's art scene, sneers at him from every corner. Somewhere in Berlin, his daughter Olive is growing up under the questionable guidance of Adele's friend, Maria. He's helplessly driving his marriage to actress Claire into the ground. Sammy Barnathan, the actor Caden has hired to play himself within the play, is a bit too perfect for the part, and is making it difficult for Caden to revive his relationship with the alluringly candid Hazel. Meanwhile, his therapist, Madeline Gravis, is better at plugging her best-seller than she is at counselling him. His second daughter, Ariel, is disabled. And a mysterious condition is systematically shutting down each of his autonomic functions, one by one. As the years rapidly pass, Caden buries himself deeper into his masterpiece. Populating the cast and crew with doppelgangers, he steadily blurs the line between the world of the play and that of his own deteriorating reality. As he pushes the limits of his relationships, both personally and professionally, a change in creative direction arrives in Millicent Weems, a celebrated theater actress who may offer Caden the break he needs.

For centuries, Bordeaux has assumed a mythical status in the world of fine wine as a leitmotif of wealth, power and influence, but its prosperity has always been linked to the capricious nature of markets and the shifting fortunes of global economies. Now change is coming to Bordeaux, with traditional customers like the US and the UK falling away, as China's new rich push prices to stratospheric levels. The demand is unprecedented, but the product is finite and this new client wants it all. Will the China market be the bubble that never bursts or the biggest threat yet to Bordeaux's centuries old reputation?

At a prom ball, Peter and Helen catch each other's eyes over the children's heads. Peter is desperate to meet Helen and follows her to Mallorca, where she plans to spend her holiday with her husband.